| The Troubled Troubadour | ||||
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| Studio album by GG Allin | ||||
| Released | 1996 | |||
| Recorded | 1982—December 1990 | |||
| Genre | Punk rock, Country and western | |||
| Length | 65:36 | |||
| Label | Mountain Records | |||
| Producer | GG Allin, Stewart Brodian | |||
| GG Allin chronology | ||||
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The Troubled Troubador is a posthumous expanded compact disc edition of punk rock singer-songwriter and musician GG Allin's original 1990 7" EP of the same name.
With the 1,500-copy pressing of the original Troubled Troubador EP having long sold out by the time GG Allin had died of a drug overdose in 1993, Mountain Records owner and president Stewart Brodian had been getting a large amount of requests from Allin fans who had missed out on the original recording.
In October 1995, Brodian gathered together the original master tape of the 7" EP, which was still in his possession, and with the help of Allin's friend and archivist Skeeter Rider, added an outtake from the same May 1989 session that originally produced the EP, a 1985 acoustic demo of an early Allin-composed and performed country song, two spoken word tracks recorded by Allin in 1988, two cover versions recorded with The Jabbers in 1982 and with The Disappointments in July 1989, and - probably the most fascinating of the bonus tracks - three unedited phone conversations between GG Allin and Stewart Brodian, recorded on Brodian's answering machine in Pennsylvania and conducted from GG's end while he was serving his felonious assault sentence in Michigan.
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On the phone conversations, Allin's public persona of an anti-social troublemaker is practically shattered. He laughs, makes jokes, rationally and intelligently discusses business with Brodian regarding the original EP as well as plans for Allin's first post-prison performances, and waxes rhapsodic about his love for the country music of Hank Williams Sr., Boxcar Willie, and Stonewall Jackson ("I could listen to that shit all day."), and for old blues recordings, as well as how proud Allin was of the recordings that became the original Troubled Troubador EP and how they first came about, even going so far as to predict, "It's one of those records that'll sell forever. As years go on, people want my stuff more, even the older stuff." Allin and Brodian, when not discussing business, found that they had a lot in common as artists that started pressing and releasing their own recordings.
The cover versions featured on the expanded CD edition are of GG and the Jabbers performing the Ohio Express obscurity "Up Against The Wall", and of GG and the Disappointments performing a rather chaotic version of The Rolling Stones' "Dead Flowers". The Jabbers recording was first released on the No Rules EP in 1982 by David Peel's Orange Records label, and would later turn up on a semi-bootleg 45 in 1993, while the Disappointments recording is one of the few Allin made with that backing group before his arrest by U.S. Secret Service agents and extradition to Michigan several weeks later.
The two spoken word tracks on the album were supplied by Skeeter Rider. GG recorded them at a low tape speed, while drunk one night in Chicago 1988. To most ears these tracks sound rather evil or monstrous. Whatever Allin's motive or intention was behind the deliberate tape speed of these tracks, it is likely that the playback was done according to Allin's own specifications, an assumption backed up by the fact that Allin fully trusted and appreciated what Brodian had done with the original EP, and had discussed doing spoken word recordings and performances after Allin's release from prison. In the hours before his death, he was discussing plans for a spoken word album.
"Rowdy Beer Drinkin' Night" is almost an anomaly to people who are only familiar with Allin's stage act and/or his less civilized recordings. A normal-sounding country and western song recorded as a demo in Allin's bathroom in 1985, Allin does not employ any profanities whatsoever in the recording - an instance rather astounding when one notes that Allin had released his infamous Eat My Fuc album the year before. Some people have speculated that Allin was considering abandoning punk rock entirely after Eat My Fuc and embracing country music in the style of Hank Williams Sr. and Jr. and David Allen Coe at the time he wrote and recorded this demo.
In his liner notes for the CD, Brodian sums up his view of GG Allin by stating, "GG had his 'on stage' personality, but he was a really smart guy, and despite his faults, I really miss him."
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